Urbana #5 (Beach Town)

Date: 1953
Dimensions:
68 x 53 1/2 in. (172.7 x 135.9 cm)
Signed:"Top/[up arrow]/R. Diebenkorn/Urbana #5" reverse
Cat. raisonné no.:1248
Obj. no.: 1098
References

Jules Langsner, "Los Angeles Letter," Art International, 20 December 1962, 38; Frederick Wight, "The Phillips Collection—Diebenkorn, Woelffer, Mullican: A Discussion," Artforum, April 1963, 23; John Coplans, "Circle of Styles on the West Coast," Art in America, June 1964, 26; Gerald Nordland, "Collecting in Los Angeles," Artforum, Summer 1964, 13; Henry J. Seldis, "The Development of Richard Diebenkorn," Los Angeles Times, 11 April 1965; Maurice Tuchman, "Richard Diebenkorn: The Early Years," Art Journal 36, no. 3 (Spring 1977): 218, fig. 17; Benjamin Forgey, "Three Different Diebenkorns," Washington Star, 17 April 1977; Nordland monograph 1987, 55, 59, 151; John Elderfield, The Drawings of Richard Diebenkorn (New York: Museum of Modern Art, 1988), 37, fig. 13; John McEwen, "Better Going Up Than Sideways," Sunday Telegraph (London), 20 October 1991; Ernst Buck, "Vieles bekannt: Austellung des Kunstvereins Frankfurt," Offenbach-Post, 9 July 1992; Christopher Knight, "Park Places," Los Angeles Times Calendar, 13 September 1992; David Frankel, Masterpieces: The Best-Loved Paintings from America's Museums (New York, 1995), 99; Jean Arrouye, ed., Cézanne, d'un siécle à l'autre (Marseille, 2006), 195, 199, 200; Timothy Anglin Burgard and John Held, Jr., "Richard Diebenkorn: The Berkeley Years, 1953–1966," San Francisco Art Quarterly 1, no. 13 (May–July 2013): 38, 40; Sarah C. Bancroft, Edith Devaney, and Steven A. Nash, Richard Diebenkorn (London: Royal Academy of Arts, 2015), 24, fig. 4.



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