Chabot Valley

Date: 1955
Dimensions:
19 1/2 x 18 3/4 in. (49.5 x 47.6 cm)
Signed:"1955" reverse; "21" on stretcher
Cat. raisonné no.:1582
Obj. no.: 1154
References

Gerald Nordland, Richard Diebenkorn (New York, 1987), 86, 87.

Grace Glueck, "A Painter Unafraid to Change Styles," New York Times, 10 October 1997.

John Loughery, "American Art: The Center and the Edge," Hudson Review 51, no. 1 (Spring 1998): 186.

Leo J. O'Donovan, "Coming Home," Washingtonian, May 1998, 61.

Stephen Westfall, "Richard Diebenkorn: A Reasoned Sensuality," Art in America, October 1998, 109.

Kenneth Baker, "Radiance and Grandeur: Diebenkorn Show at SFMOMA Conveys His Brilliant Merging of Landscape and Abstraction," San Francisco Chronicle, 9 October 1998.

Deborah Flapan, "The Cover," Journal of the American Medical Association 280, no. 15 (21 October 1998): 1292.

Victoria Dalkey, "Richard Diebenkorn: Master of Color and Space," Sacramento Bee, 8 November 1998.

Barbara Weidle, "Richard Diebenkorn," Künstler: Kritisches Lexikon der Gegenwartskunst 73, no. 2 (January–March 2006): 7, 8, fig. 7.

Murray Paskin, "Take In Diebenkorn's Varied Career," San Francisco Examiner, 10 June 2010.

Kenneth Baker, "Inimitable Diebenkorn," San Francisco Chronicle, 23 June 2013.

Robert Taylor, "'Berkeley Years' Finds An Artist Between Worlds," San Jose Mercury News, 27 June–3 July 2013.

Jane Livingston and Andrea Liguori, eds., Richard Diebenkorn: The Catalogue Raisonné (New Haven and London, 2016), 3: pp. 20–25, cat. 1582, ill.

Sebastian Smee, "Beautiful Show Captures Impact of Matisse on Diebenkorn," Boston Globe, 3 November 2016.

Scott A. Shields, Richard Diebenkorn: Beginnings, 1942–1955 (Sacramento: Crocker Art Museum, 2017), 208, fig. 94.

Philip Kennicott, "Watching Diebenkorn Follow, Then Pass, Matisse," Washington Post, 27 January 2017.

Hearne Pardee, "Matisse/Diebenkorn," Brooklyn Rail, 14 July 2017, n.p.

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