Woman in a Window

Date: 1957
59 x 56 in. (149.9 x 142.2 cm)
Signed:"RD 57" lower right
Credit Line: Gift of Seymour H. Knox, Jr., 1958, K1958:32
Cat. raisonné no.:2185
Obj. no.: 1225

Miriam Dungan Cross, "Trend in Bay Art Surveyed," Oakland Tribune, 17 November 1957.

"Edging Away from Abstraction," Time, 17 March 1958, 65.

Gordon M. Smith, "Report of the Director," Albright Art Gallery Gallery Notes, March 1960, 17, 26.

Andrea S. Halbfinger, "Diebenkorn Presents Excellent One-Man Show," Washington Post, 15 November 1964.

Gerald Nordland, "Richard Diebenkorn: A Fifteen-Year Retrospective Is Organized by the Washington Gallery of Modern Art," Artforum, January 1965, 25.

U.S. Information Agency, "[add Cyrillic]," add Cyrillic, November 1965, 14.

U.S. Information Agency, "Symfonia koloru i nastrój zadumy Richard Diebenkorn," Ameryka, November 1965, 48.

Michael Baigell, "American Abstract Expressionism and Hard-Edge: Some Comparisons," Studio International, January 1966, 11.

Sidney Tillim, "The Reception of Figurative Art: Notes on a General Misunderstanding," Artforum, February 1969, 31.

Vincent Price, The Vincent Price Treasury of American Art (Waukesha, Wis., 1972), 286–87.

Irving Sandler, Contemporary Art, 1942–1972: Collection of the Albright-Knox Gallery (New York, 1973), 68–69, 413, 450.

Nancy Tobin Willig, "The Albright Knox Presents: The Spatial Abstractions of Richard Diebenkorn," Buffalo Courier-Express, 5 December 1976.

Ellen Brown, "West Coast Influence Shows in Diebenkorn Art," Cincinnati Post, 5 February 1977.

Jo Ann Lewis, "Diebenkorn: Growth of an Artist," Washington Post, 16 April 1977.

Benjamin Forgey, "Three Different Diebenkorns," Washington Star, 17 April 1977.

Los Angeles County Museum of Art, "Richard Diebenkorn: Paintings and Drawings, 1943–1976," Members' Calendar, August 1977, n.p.

Susan C. Larsen, "Richard Diebenkorn's Retrospective," Artweek, 27 August 1977, 20.

Bryce Walker, "The Contemporary Image," United Mainliner, September 1981, 55.

Greta Berman and Jeffrey Wechsler, Realism and Realities: The Other Side of American Painting, 1940–1960 (New Brunswick, N.J., 1982), 159, fig. 193.

John Russell, "Art View: When Figure Paintings Capture the Energies of Life," New York Times, 7 August 1983.

Dale G. Cleaver, Art: An Introduction, 4th (San Diego, 1985), cover.

Gerald Nordland, Richard Diebenkorn (New York, 1987), 114, 117.

Julia Szabo, "A Manipulator of Color: Whitney Show Traces Diebenkorn Career," Newsday, 9 October 1997.

Francine Prose, "Diebenkorn's Many-Layered Delights," Wall Street Journal, 23 October 1997.

Robert Hughes, "God Is in the Vectors: The Luminous Architecture of Richard Diebenkorn's Paintings," Time, 8 December 1997, 101.

Martin Pops, "Diebenkorn in the Age of Rauschenberg," Salmagundi 120 (Fall 1998): 34, 35, fig. 6.

Stephen Farthing, ed., 501 Great Artists (Hauppauge, N.Y., 2008), 459.

Rachel Campbell-Johnston, "Modern Art Explained: Woman in a Window by Richard Diebenkorn, 1957," Times (London), 16 June 2009.

Gabrielle Selz, Unstill Life: A Daughter's Memoir of Art and Love in the Age of Abstraction (New York, 2014), 262, back cover.

Jane Livingston and Andrea Liguori, eds., Richard Diebenkorn: The Catalogue Raisonné (New Haven and London, 2016), 3: pp. 209–10, cat. 2185, ill.

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