Knife in a Glass

Date: 1963
14 5/8 x 10 3/4 in. (37.1 x 27.3 cm)
Signed:"RD 63" lower left; "R. Diebenkorn/1963/Knife in a Glass" on stretcher
Cat. raisonné no.:3361
Obj. no.: 1386
Hilton Kramer, "Pure and Impure Diebenkorn," Arts Magazine, December 1963, 51.

Robert T. Buck Jr. et al., Richard Diebenkorn: Paintings and Drawings, 1943–1976 (Buffalo: Albright-Knox Gallery, 1976), 29, 30, fig. 46.

Gerald Nordland, Richard Diebenkorn (New York, 1987), 96, 97, 99.

Chris Waddington, "Abstractionist's Work Is Shown in New York, Travels to Fort Worth," Times-Picayune, 20 December 1997.

John Loughery, "American Art: The Center and the Edge," Hudson Review 51, no. 1 (Spring 1998): 186.

Paul Richard, "Diebenkorn's Pacific Heights: At the Phillips, a Master Painter Brushes the Edge of Abstraction," Washington Post, 10 May 1998.

John Dorsey, "Elegantly Balanced in the 20th Century: Richard Diebenkorn Found an Equilibrium between Abstraction and Representation, European and American Influences," Baltimore Sun, 5 July 1998.

Martin Pops, "Diebenkorn in the Age of Rauschenberg," Salmagundi 120 (Fall 1998): 33.

Susan Landauer, William H. Gerdts, and Patricia Trenton, The Not-So-Still Life: A Century of California Painting and Sculpture (Berkeley and Los Angeles, 2003), 91, 92, fig. 80.

William Greenwood, "Visionary Geometry," Redwood Coast Review, Winter 2014, 10.

Bart Schneider, ed., Richard Diebenkorn: Still Lifes and Landscapes (Berkeley, Calif., 2014), 19.

Olivia Laing, "Lovely Imperfection," Guardian (London), 28 February 2015.

JS Marcus, "Richard Diebenkorn: Royal Academy of Arts," The World of Interiors, April 2015, 259.

Jane Livingston and Andrea Liguori, eds., Richard Diebenkorn: The Catalogue Raisonné (New Haven and London, 2016), 3: p. 567, cat. 3361, ill.
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