Seated Figure with Hat

Date: 1967
57 3/4 x 61 3/4 in. (146.7 x 156.8 cm)
Credit Line: Gift of the Collectors Committee and Mr. and Mrs. Lawrence Rubin, 1991.176.1
Cat. raisonné no.:3908
Obj. no.: 1412

Constance M. Perkins, "La Nuova Figurazione Americana in una mostra a Milano," Le arti, January–February 1970, 7.

Gerald Nordland, Richard Diebenkorn (New York, 1987), 142.

Jane Addams Allen, "Back to the Figure: Diebenkorn, Bischoff, Park and the Bay Area Rebellion of 1950–65," Washington Post, 17 June 1990.

Gay Morris, "Report from San Francisco: Figures by the Bay," Art in America, November 1990, 91, 93.

Andrew Graham-Dixon, "Bay Watch," Independent Magazine, 28 September 1991, 51.

John Russell Taylor, "Unmatched Pair Play Winning Hand," Times (London), 12 November 1991.

Merlin Ingli James, "Exhibition Reviews: London, Whitechapel; Richard Diebenkorn," Burlington Magazine, December 1991, 858, fig. 53.

"Art Notes," Washington Times, 22 December 1991.

Julián Gállego, "La Madurez de Richard Diebenkorn," ABC de las Artes, 10 January 1992, 24–25, ill.

Andres Lepik, "Konstruct und Improvisation: Richard Diebenkorn im Städelschen Museum in Frankfurt am Main," Neue Zürcher Zeitung, 2 July 1992.

Ursula Geiger, "Richard Diebenkorn," Kunstmarkt, August 1992, 16.

Devorah Knaff, "A Few Fine Rewards in 'Diebenkorn' Abstracts," Press-Enterprise (Riverside, Calif.), 20 September 1992.

William Wilson, "Richard Diebenkorn: Still Life with Emotion," Los Angeles Times, 28 October 1992.

David Bonetti, "Diebenkorn in Overkill," San Francisco Examiner, 27 November 1992.

Fisher Gallery, University of Southern California, Los Angeles, Richard Diebenkorn: Works on Paper from the Harry W. and Mary Margaret Anderson Collection (Los Angeles: Fisher Gallery, 1993), 69.

"Richard Diebenkorn," Times (London), 1 April 1993.

Eric Gibson, "Death of Master of Space and Light," Washington Times, 4 April 1993.

"Madeleine St John, The Essence of the Thing (New York, 1997), cover.

Kenneth Baker, "New York City Revisits Richard Diebenkorn," San Francisco Chronicle, 9 October 1997.

Kenneth Baker, "A Window on a World of Shape and Color," Smithsonian, March 1998, 72–73, 81.

The Phillips Collection: News and Events, March–April 1998, back cover.

"Richard Diebenkorn," Phillips Collection: News and Events, May–June 1998, 5.

John Dorsey, "Elegantly Balanced in the 20th Century: Richard Diebenkorn Found an Equilibrium between Abstraction and Representation, European and American Influences," Baltimore Sun, 5 July 1998.

Thomas Larson, "Richard Diebenkorn and the Art of Crossing Borders," Revue, Fall 1998, 34.

Martin Pops, "Diebenkorn in the Age of Rauschenberg," Salmagundi 120 (Fall 1998): 37, 38, fig. 9.

"Opening Exhibitions: Richard Diebenkorn," San Francisco Museum of Modern Art News, September–October 1998, 6–7.

Kenneth Baker, "Radiance and Grandeur: Diebenkorn Show at SFMOMA Conveys His Brilliant Merging of Landscape and Abstraction," San Francisco Chronicle, 9 October 1998.

"The National Art Scene: A Quarterly Calendar," New York Times, 16 October 1998.

Victoria Dalkey, "Richard Diebenkorn: Master of Color and Space," Sacramento Bee, 8 November 1998.

Craig McDaniel, Painting as a Language (Fort Worth, 2000), 48, cat. no. 1.

Diane Sher Lutovich, What I Stole (San Francisco, 2003), cover; Leda Cempellin, L’iperrealismo 'fotografico' americano in pittura: Risonanze storiche nella East e nella West Coast (Padua, 2004), 36–37, 152, 158, 196, fig. 3.

Magda Salveson and Diane Cousineau, Artists' Estates: Reputations in Trust (New Brunswick, N.J., 2005), 54.

Marco Goldin, Van Gogh and Gauguin's Journey: Variations on a Theme (Genoa: Palazzo Ducale, 2011), 187.

Brandon Brame Fortune, Face Value: Portraiture in the Age of Abstraction (Washington, D.C.: National Portrait Gallery, Smithsonian Institu, 2014), 35, 36, fig. 1.

Mark Jenkins, "An About-Face in American Artists' Portraiture," Washington Post, 18 May 2014.

Kimberly Uslin, "Harmonic Conversion," Baltimore Style, September 2016, 41.

Jane Livingston and Andrea Liguori, eds., Richard Diebenkorn: The Catalogue Raisonné (New Haven and London, 2016), 4: pp. 55, 56, cat. 3908, ill.

Gabriella Souza, "New BMA Exhibit Highlights Matisse's Influence on Diebenkorn," Baltimore Magazine, 20 October 2016.

Mary Carole McCauley, "Shared Space: New BMA Exhibit Showcases Works of Matisse and Their Influence on One of His Heirs," Baltimore Sun, 23 October 2016.

Alex Belth, "A Good Reason to Visit Baltimore," Esquire, 26 October 2016.

Karen Wilkin, ""Matisse/Diebenkorn" At the Baltimore Museum of Art," The Hopkins Review 10, no. 4 (Fall 2017).

Rebekah Kirkman, "Dance of Anxiety," City Paper (Baltimore), 11–18 January 2017.

Philip Kennicott, "Watching Diebenkorn Follow, Then Pass, Matisse," Washington Post, 27 January 2017.

Amy Crawford, "Guiding Light: A Great American Painter's Luminous Debt to Matisse," Smithsonian Magazine, March 2017.

Scott Lucas, "Richard Diebenkorn's Painterly Man Crush, in Pictures," San Francisco, March 2017, 44.

Charles Desmarais, "2 Masters Seen Side By Side," San Francisco Chronicle, 11 March 2017.

Sean Martinfield, "Janet Bishop—On the Matisse/Diebenkorn Exhibit at SFMOMA, Now Through 5/29," Huffington Post, 4 April 2017.

"An Artistic Connection," Where San Francisco, April 2017, 40; Hearne Pardee, "Matisse/Diebenkorn," Brooklyn Rail, 14 July 2017, n.p.

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