Seated Woman

Date: 1967
Dimensions:
90 x 80 1/8 in. (228.6 x 203.5 cm)
Signed:"RD 67" lower right
Cat. raisonné no.:3907
Obj. no.: 1413
References

John Canaday, "Too Bad on One Hand, Pretty Good on the Other," New York Times, 21 January 1968.

Henry J. Seldis, "Venice Biennale Opens in Midst of Student Crisis," Los Angeles Times, 23 June 1968.

"Ex-Stanford Artist's Work in Smithsonian Exhibition," Palo Alto Times, 27 December 1968.

"Venice 34," Art Education 22, no. 1 (January 1969): 25.

Lois Wagner Green, "Emphasizing Art," Architectural Digest, July 1982, 45.

Charles Shere, "Diebenkorn Looks Back and Ahead," Oakland Tribune Calendar, 29 May 1983.

Frank Cebulski, "Richard Diebenkorn and the Humanly Abstract," Artweek, 2 July 1983, 1.

Chris Martini, "California Letter: Richard Diebenkorn at the San Francisco Museum of Modern Art," Studio International 196, no. 1001 (August 1983): 61.

John Berggruen, ed., John Berggruen Gallery (San Francisco, 1986), 26.

John Gruen, "Artist's Dialogue: Richard Diebenkorn; Radiant Vistas from Ocean Park," Architectural Digest, November 1986, 56.

Gerald Nordland, Richard Diebenkorn (New York, 1987), 142–44 (rev. ed. [2001], back cover).

Erwin Leiser, "Er malt Figuren wie Stilleben: Richard Diebenkorn," Frankfurter Allgemeine Magazin, 21–27 May 1988, 10.

John L. Ward, American Realist Painting, 1945–1980 (Ann Arbor, 1989), 87–88, fig. 44.

Catherine Petroski, "Tales of Broken Love," Chicago Tribune, 3 September 1989.

William Feaver, "California Dreamin', Way Out of Sight," Observer (London), 20 October 1991.

James Hall, "Embodying Movement," Times Literary Supplement (London), 25 October 1991.

Simon Morley, "Richard Diebenkorn," Art Monthly (London), November 1991, 21.

John Russell Taylor, "Unmatched Pair Play Winning Hand," Times (London), 12 November 1991.

Michael Kimmelman, "Connections amid Diversity in Two London Retrospectives," New York Times, 19 November 1991.

Michael Kimmelman, "A Life Outside," New York Times Magazine, 13 September 1992, 62.

Meg Sullivan, "Artist's Abstract Works Finally Get California Home Audience," Daily News (Los Angeles), 13 September 1992.

Julian Machin, "Richard Diebenkorn: A Rare Interview," San Francisco Chronicle, 17 November 1992.

Jerry Carroll, "The Man Behind the Matisse Show," San Francisco Chronicle, 20 November 1992.

Michael Kimmelman, "Richard Diebenkorn, Lyrical Painter, Dies at 71," New York Times, 31 March 1993.

Francine Prose, "Diebenkorn's Many-Layered Delights," Wall Street Journal, 23 October 1997.

Leo J. O'Donovan, "Coming Home," Washingtonian, May 1998, 62.

Kenneth Baker, "Radiance and Grandeur: Diebenkorn Show at SFMOMA Conveys His Brilliant Merging of Landscape and Abstraction," San Francisco Chronicle, 9 October 1998.

Donna Massini, Turning to Fiction: Poems (New York, 2004), cover.

Kenneth D. Allan, The Figure's Regard: Privacy and the Gaze in Richard Diebenkorn's Santa Cruz Island Works, (illustrated transcript, lecture at Westmont College, Santa Barbara, Calif., 24 August 2005), 7.

Jean Arrouye, ed., Cézanne, d'un siécle à l'autre (Marseille, 2006), 191.

Emma Acker, Timothy Anglin Burgard, and Steven A. Nash, Richard Diebenkorn: The Berkeley Years, 1953–1966 (San Francisco: Fine Arts Museums of San Francisco, 2013), 209, pl. 144.

Jane Livingston and Andrea Liguori, eds., Richard Diebenkorn: The Catalogue Raisonné (New Haven and London, 2016), 4: pp. 18–20, 53–54, 56, cat. 3907, ill.

Kenneth Baker, "How Matisse Helped Diebenkorn Calm His 'Rage at Human Nature'," Art Newspaper, 5 May 2017.



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