Ocean Park #43

Date: 1971
93 x 81 in. (236.2 x 205.7 cm)
Signed:"RD 71" lower right
Cat. raisonné no.:4088
Obj. no.: 1458

Dore Ashton, "Richard Diebenkorn's Paintings," Arts Magazine, December 1971–January 1972, 35, 36.

John Elderfield, "Diebenkorn at Ocean Park," Art International, 20 February 1972, 23, 24.

"American Moderns Fail to Stir Tokyo," New York Times, 15 July 1976.

Helene Berg, "Artist Retains Old Lines," Staten Island Sunday Advance, 10 July 1977.

Henry J. Seldis, "Diebenkorn's Triumphant Retrospective," Los Angeles Times, 21 August 1977.

Lois Wagner Green, "Emphasizing Art," Architectural Digest, July 1982, cover, 39, 40.

Gerald Nordland, Richard Diebenkorn (New York, 1987), 2, 169.

Chiori Santiago, "A Magic Place to Wander: Creating the Oakland Museum," Museum of California, September–October 1989, 9.

Kenneth Baker, "New York City Revisits Richard Diebenkorn," San Francisco Chronicle, 9 October 1997.

Robert Hughes, "God Is in the Vectors: The Luminous Architecture of Richard Diebenkorn's Paintings," Time, 8 December 1997, 98.

Thomas Larson, "Richard Diebenkorn and the Art of Crossing Borders," Revue, Fall 1998, 33, 34.

Laura Garrard, Colourfield Painting: Minimal, Cool, Hard Edge, Serial and Post-Painterly Abstract Art of the Sixties to the Present (Kent, U.K., 2007), 156.

David Carrier, "Diebenkorn Country: The Ocean Park Series," ArtUS no. 29 (2010): 89.

Scott Cantrell, "A Showcase of Sublime Lines," Dallas Morning News, 17 October 2011.

John Seed, "Richard Diebenkorn," Art Ltd., March–April 2012, 43.

Christopher Knight, "Diebenkorn Crystallizes an Era," Los Angeles Times, 3 March 2012.

Ian McKeever, "Painting on the Threshold," Royal Academy of Arts Magazine, Spring 2015, 55, also cited in text.

Jane Livingston and Andrea Liguori, eds., Richard Diebenkorn: The Catalogue Raisonné (New Haven and London, 2016), 4: pp. 136–37, cat. 4088, ill.

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