Ocean Park #79

Date: 1975
Dimensions:
93 x 81 in. (236.2 x 205.7 cm)
Signed:"RD 75" lower right
Credit Line: Philadelphia Museum of Art, purchased with a grant from the National Endowment for the Arts and with funds contributed by private donors, 1977, 1977-28-1
Cat. raisonné no.:4195
Obj. no.: 1495
References

Gerald Nordland, Richard Diebenkorn (New York, 1987), 181, 182.

John Updike, Just Looking: Essays on Art (New York, 1989), 114, 115.

John Updike, "Some Rectangles of Blue," Art and Antiques, February 1989, 62, 63.

Kathie Roberts Garrigus, "The Real Thing," Art and Antiques, Summer 1989, 16.

Linda Yablonsky, "California Dreaming: The Whitney Surveys a Left-Coast Master," Time Out New York, 23–30 October 1997, 44.

Arthur C. Danto, "Richard Diebenkorn," Nation, 5 January 1998, 32.

John Loughery, "American Art: The Center and the Edge," Hudson Review 51, no. 1 (Spring 1998): 187.

Ann Temkin, Susan Rosenberg, and Michael Taylor, Twentieth Century Painting and Sculpture in the Philadelphia Museum of Art (Philadelphia, 2000), 125.

Leda Cempellin, L’iperrealismo 'fotografico' americano in pittura: Risonanze storiche nella East e nella West Coast (Padua, 2004), 197, fig. 4.

Barbara Weidle, "Richard Diebenkorn," Künstler: Kritisches Lexikon der Gegenwartskunst 73, no. 2 (January–March 2006): 3.

Laura Garrard, Colourfield Painting: Minimal, Cool, Hard Edge, Serial and Post-Painterly Abstract Art of the Sixties to the Present (Kent, U.K., 2007), 155.

Frederick J. Gravetter and Larry B. Wallnau, Essentials of Statistics for the Behavioral Sciences, 6th ed. (Belmont, Calif., 2007), cover.

Stephen Farthing, ed., 501 Great Artists (Hauppauge, N.Y., 2008), 458.

Richard and Susan Lewis, The Power of Art, 2nd. ed. (Stamford, Conn., 2008), 466, fig. 20-31.

Al Gury, Color for Painters: A Guide to Traditions and Practice (New York, 2010), 51.

Lyn Kienholz, L.A. Rising: SoCal Artists Before 1980 (Los Angeles, 2010), 144.

Casey Perin, The Demands of Reason: An Essay on Pyrrhonian Scepticism (New York, 2010), cover.

Charissa N. Terranova, "Between Landscape and Rightness," Arts+Culture Texas, September 2011, 10.

Michael Granberry, "Critic's Picks: Museum Exhibitions," Dallas Morning News: Guide, 2–8 September 2011, 36.

"The Modern Touts Diebenkorn," Fort Worth Weekly, 21–27 September 2011.

John Brandenburg, "Texas Museum Hosts Works by Diebenkorn," Oklahoman (Dallas), 25 December 2011.

Matthew Bourbon, "Reviews: Richard Diebenkorn, Modern Art Museum of Fort Worth," Art News, January 2012, 116.

Daniella B. Walsh, "Ocean Park at OCMA," Newport Beach Magazine, January–February 2012, 6.

Sarah Peters, "Diebenkorn's Big Show," Daily Pilot (Costa Mesa, Calif.), 24 February 2012.

Richard Chang, "Swimming in Diebenkorn," Orange County Register, 25 February 2012.

"Richard Diebenkorn: The Ocean Park Series," American Art Review, March–April 2012, 118.

Sebastian Smee, "A West Coast Painter, At His Best: 'Ocean Park' Series Evokes an Eternal California," Boston Globe, 1 April 2012.

Doug Harvey, "Reviews: Los Angeles, Richard Diebenkorn," Modern Painters 24, no. 4 (May 2012): 71.

Richard Chang, "Visual Art: Top Events," Orange County Register, 25 May 2012.

Jeffry Cudlin, "Rebel on the Beach," Washington City Paper, 6 July 2012.

Ari Post, "Everything All at Once: Richard Diebenkorn at the Corcoran Gallery of Art," Georgetowner, 11–24 July 2012, cover, 4.

Olivia Laing, "Lovely Imperfection," Guardian (London), 28 February 2015.

Ian McKeever, "Painting on the Threshold," Royal Academy of Arts Magazine, Spring 2015, 50, also cited in text.

Richard Dorment, "Journeying Through the Abstract and Into the Light," Daily Telegraph (London), 10 March 2015.

Laura Cumming, "Long Day's Journey into Light," Observer New Review (London), 15 March 2015.

JS Marcus, "Richard Diebenkorn: Royal Academy of Arts," The World of Interiors, April 2015, 258.

Jane Livingston and Andrea Liguori, eds., Richard Diebenkorn: The Catalogue Raisonné (New Haven and London, 2016), 4: pp. 196–98, cat. 4195, ill.

Gabriella Souza, "New BMA Exhibit Highlights Matisse's Influence on Diebenkorn," Baltimore Magazine, 20 October 2016.

Mary Carole McCauley, "Shared Space: New BMA Exhibit Showcases Works of Matisse and Their Influence on One of His Heirs," Baltimore Sun, 23 October 2016.

Kerr Houston, "To Follow and Extend: Matisse/Diebenkorn," BmoreArt, 31 October 2016.

Elyn Zimmerman, "What Diebenkorn and Matisse Taught Me about the Hard Work of Making Art," Getty Iris (online), 6 December 2016.

"See Diebenkorn, Matisse Art with RiverArts Trip," Kent County News, 22 December 2016.

Scott A. Shields, Richard Diebenkorn: Beginnings, 1942–1955 (Sacramento: Crocker Art Museum, 2017), 214, fig. 95.

Karen Wilkin, "Matisse/Diebenkorn at the Baltimore Museum of Art," The Hopkins Review 10, no. 4 (Fall 2017).

Rebekah Kirkman, "Dance of Anxiety," City Paper (Baltimore), 11–18 January 2017.

Philip Kennicott, "Watching Diebenkorn Follow, Then Pass, Matisse," Washington Post, 27 January 2017.

Amy Crawford, "Guiding Light: A Great American Painter's Luminous Debt to Matisse," Smithsonian Magazine, March 2017.

Scott Lucas, "Richard Diebenkorn's Painterly Man Crush, in Pictures," San Francisco, March 2017, 44.

Charles Desmarais, "2 Masters Seen Side By Side," San Francisco Chronicle, 11 March 2017.

Judith H. Dobrzynski, "Masters Across the Decades," Wall Street Journal, 13 March 2017.

Julia Couzens, "See Vividly How One Great Artist Inspired Another," Sacramento Bee, 24 March 2017.

Sean Martinfield, "Janet Bishop—On the Matisse/Diebenkorn Exhibit at SFMOMA, Now Through 5/29," Huffington Post, 4 April 2017.

Peter Clothier, "Abstraction," Huffington Post, 4 May 2017.

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