Urbana #6

Date: 1953
Dimensions:
69 1/4 x 58 in. (175.9 x 147.3 cm)
Signed:""RD 53" lower left; "[up arrow]/Top/R Diebenkorn/Urbana #6" reverse
Credit Line: Museum Purchase, Sid W. Richardson Foundation Endowment Fund, 1996.01.P.P.
Cat. raisonné no.:1249
Obj. no.: 1099
References
Gerald Nordland, Richard Diebenkorn (New York, 1987), 60.

Wayne Lee Gay, Perry Stewart, and Janet S. Tyson, "Arts Notes," Fort Worth Star-Telegram, 16 June 1996.

Janet Kutner, "A Pause That Refreshes; Between Shows, Modern Displays Acquisitions," Dallas Morning News, 19 July 1996.

"Richard Diebenkorn," Modern Art Museum of Fort Worth: Calendar, January–March 1998, 4.

Janet Tyson, "Claim to Greatness: The Diebenkorn Retrospective in Fort Worth Confirms His Importance to Modern Art," Fort Worth Star-Telegram, 28 March 1998.

Jane Livingston, "Richard Diebenkorn," American Art Review, May–June 1998, 150.

Leo J. O'Donovan, "Coming Home," Washingtonian, May 1998, 60.

Thomas Larson, "Richard Diebenkorn and the Art of Crossing Borders," Revue, Fall 1998, 34.

Stephen Westfall, "Richard Diebenkorn: A Reasoned Sensuality," Art in America, October 1998, 107.

Barbara Hess, Abstract Expressionism (Cologne, 2005), 66, 67.

Jane Livingston and Andrea Liguori, eds., Richard Diebenkorn: The Catalogue Raisonné (New Haven and London, 2016), 2: pp. 473–74, cat. 1249, ill.

Amy Crawford, "Guiding Light: A Great American Painter's Luminous Debt to Matisse," Smithsonian Magazine, March 2017.

Judith H. Dobrzynski, "Masters Across the Decades," Wall Street Journal, 13 March 2017.

Jonathan Curiel, "Ghosts and Goldfish," SF Weekly, 23–29 March 2017, 34.

Robert Taylor, "Matisse, Diebenkorn Reflected in Each Other," Mercury News, 23–29 March 2017.

Sean Martinfield, "Janet Bishop—On the Matisse/Diebenkorn Exhibit at SFMOMA, Now Through 5/29," Huffington Post, 4 April 2017.

Hearne Pardee, "Matisse/Diebenkorn," Brooklyn Rail, 14 July 2017, n.p.


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